Wer erschafft wen? Kunst, KI und die Transformation des Schaffenden

~ YIN Renlong

Mein vorheriger Essay, Building a Generative Artwork That Can Change Its Maker, endete mit dem Gedanken, dass das Kunstwerk geantwortet habe. Dieser Essay setzt dort ein, wo mir diese Formulierung nicht mehr ausreichte. „Antworten“ lässt noch immer zwei relativ stabile Partner vermuten: auf der einen Seite einen Schaffenden, auf der anderen ein vollendetes Werk. Was sich tatsächlich entwickelte, war weniger geordnet. Ein visuelles System erzeugte Formen; die Formen veränderten meine Fragen; die Reaktion eines anderen Menschen veränderte, wie ich…
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Who Creates Whom? Art, AI, and the Transformation of the Maker

~ YIN Renlong

My previous essay, Building a Generative Artwork That Can Change Its Maker, ended with the thought that the artwork had answered back. This essay begins where that formulation became insufficient. “Answering back” still suggests two relatively stable partners: a maker on one side and a completed work on the other. What actually developed was less orderly. A visual system generated forms; the forms changed my questions; another person’s response changed how I understood the forms; an old theoretical vocabulary…
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Eine generative Kunst schaffen, die ihren Schöpfer verändern kann: Von der Generierung zur Begegnung und wieder zurück

~ YIN Renlong

Drei Tage nachdem ich einen Artikel darüber veröffentlicht hatte, wie sich der Aktualisieren-Button meiner Website in eine künstlerische Geste der Komposition verwandeln lässt, lud mich Prof. Yvonne Dohna-Schlobitten unerwartet dazu ein, an ihrem sich entwickelnden internationalen Projekt als Künstler teilzunehmen – und beinahe im selben Atemzug auch in wissenschaftlicher Funktion. Dieses konkrete Werk hatte sie zu diesem Zeitpunkt noch nicht gesehen. Ich schickte es ihr, erklärte, dass jede Aktualisierung oder Navigation eine neue Komposition hervorbringen könne, und bat sie, es…
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Building a Generative Artwork That Can Change Its Maker: From Generation to Encounter and Back Again

~ YIN Renlong

Three days after I published an article about turning the refresh button of my website into an artistic compositional gesture, Prof. Yvonne Dohna-Schlobitten unexpectedly invited me to participate in her developing international project as an artist—and, almost in the same breath, in a scientific capacity as well. She had not yet seen this particular work. I sent it to her, explained that every refresh or navigation could produce another composition, and asked her to try it. Her first response…
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What Loïc Taught Me About the Moral Cost of a Miracle: A Tale of Winter (1992) and the Difference Between Hope, Faith, and Certainty

~ YIN Renlong

I expected Éric Rohmer’s Conte d’hiver (A Tale of Winter, 1992) to leave me thinking about romantic fidelity, chance, and perhaps a little theology. Instead, I ended up arguing with Félicie, defending her, criticizing her again, correcting some of my own criticisms after returning to the screenplay, questioning whether her “faith” is really faith, and finally becoming much more interested in Loïc than in the miraculous return of Charles. The film grew richer every time one of my…
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La pericolosa invisibilità della malattia di Addison (morbo di Addison)

~ YIN Renlong

Nota medica: Questo articolo ha finalità esclusivamente informative, di sensibilizzazione sulla disabilità e di comprensione da parte delle istituzioni. Non fornisce consulenza medica, diagnosi, istruzioni di emergenza né raccomandazioni terapeutiche personalizzate. La malattia di Addison e la crisi surrenalica devono essere gestite secondo il piano clinico individuale del paziente e sotto la guida di professionisti sanitari. La crisi surrenalica è un’emergenza medica e richiede un trattamento immediato e un’assistenza medica urgente (NICE, 2024).

Uno dei fraintendimenti più pericolosi…
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